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“Mastering Photoshop” by Stephen Few, published by Peachpit Books is a great reference for the novice in the field of design and photography. It starts off with an introduction to the basic concepts of Photoshop and creates a library of files to use as a guide throughout the course.
The book also includes hundreds of tutorials and examples, with concrete instructions on how to accomplish the tasks covered. The book covers everything from the basics of color, layers, and masks to advanced editing with 3-D and animation, as well as practical topics such as adjusting curves and camera calibration.
The book’s companion DVD comes with QuickTime movies, a tutorial, and a comprehensive lesson. Each chapter includes a DVD to learn topics like drawing masks, using Photoshop as a camera, using photo enhancer panels, and creating Photoshop layers.
“Over the Lens: Adobe Photoshop for Serious Photographers” by Andrew Stuart and John Walz is another useful reference. This book explains every aspect of creating high-quality images.
Topics include photographic composition, the technical aspects of developing photos, integrating images into a digital slideshow, screen recording and animation, and much more.
Adobe Photoshop is a consumer tool, but is also used by corporations and professional designers. Photoshop has more than 10,000 add-ons that can be downloaded from the Adobe Website, and many other third-party applications such as Adobe After Effects.
One thing to remember: There are many similar programs to Photoshop (such as Corel Photo-Paint and Adobe’s Creative Suite) but they are not the same as Photoshop. You can only make editing adjustments to a Photoshop file using Photoshop.
And “The Photoshop Bible” by Steve Wheeler and Stuart Smith is an excellent reference that breaks down the history of the program and the different advancements over the past ten years.
It also covers a number of design related topics, including interactions, controlling the interface, control systems, algorithms, and more. It includes a DVD with around 300 tutorials to help users get started in Photoshop.//
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Adobe Photoshop CC 2018 License Key Free
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The most used features of Photoshop are linked to a single toolbar, but in the version for photography, most tools are split across the left and right of the screen. The control is similar to Elements 12 but with fewer options.
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The tool bar is split in two by the selection tool and the tools for work in the details are on the left in their own panel. The tools in the standard toolbar are:
• Select: The most often used tool. Selects pixels in one, multiple or rectangular shapes. Selects one or more objects using the keyboard (Alt+click, Ctrl+click and Shift+click) or with precision options (U, I, L and A).
• Brush: Creates brush strokes for painting with.
• Lasso: Creates a loop selection using a pen-like tool.
• Pen: Lets you draw, fill and edit text.
• Eraser: Selects a group of pixels to delete from an image.
• Flatten Layers: Maintains the hierarchy of a layered image by flattening the layers without flattening the pixels.
• Spot Healing Brush: Erases small areas of unwanted texture with the same quality of a Clone Stamp.
• Content-Aware Mask: Makes an adjustment to a specific area of the image using the selected area as a guideline.
• Channels: Works on the RGB color of an image, adjusting the color in one or more channels.
• History: Shows adjustments previously made to an image.
• Dodge: Highlights specific areas of an image.
• Burn: Darkens specific areas of an image.
• Sponge: Removes an existing color from a channel and applies a new color to the image as a replacement.
• Levels: Adjusts the lightness or darkness of an image.
• Curves: Adjusts the shape of the curve in an image.
• Sharpen: Increases the contrast between the highlights and shadows of an image.
• Blur: Prevents objects from being seen.
• Smudge: Moves an image or an area of an image.
• Vintage Photo: Creates an instant movie with slow shutter speed (frames per second), no flash or blurring effects.
• Posterize: Makes a flat image with no edges and only certain color gradation.
•
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If an organism is infectious, they will live longer when they are produced in the laboratory, according to a study published in eLife this week. (Image credit: Biological Illustration / Wikipedia)
By defining a longevity “rule” and reducing the population of infectious organisms in the lab, a team of researchers has made it more likely that lab-grown organisms will not cause infections. The discovery has huge implications for life-saving research, including production of alternative organs and tissue, and advanced gene therapy research.
And a critical point to note: the idea came about as the result of extensive research of another topic, not in labs.
The idea of the “dying out” rule was inspired by a concept called the Allee Effect, which takes its name from a microscopic, hunt-and-shoot prey-predator model in which prey population grows at a fixed rate until its predators are eliminated, at which point there are not enough prey to go around, and population crashes.
The Allee Effect was theorized and first described in the 1920s, but has never been tested. The concept has been hotly debated for more than 100 years, but an argument in 2016 produced a new study, in which it was found that increasing the population of the prey beyond a critical level increased the survivability of prey in isolation from predators.
Essentially, the Allee Effect predicts that a large group of individuals in the middle of a population will be the most likely to survive, even if in isolation.
The study suggested that increasing the population of the prey “prevented infection with infectious agents.” Why? Because the larger a group of individuals in a population, the less likely it is for an infected individual to be in the middle of that population.
“This probability effect is an example of an Allee effect where there is an increased opportunity for infection to spread through a decrease in group size, which could result in death of a large proportion of individuals in a population,” the authors of the new study explained.
The team set out to determine whether that rule could be applied to any other conditions.
“We applied the well-known Allee effect to laboratory-based systems, and found that at higher population densities, laboratory-generated organisms were less likely to be infectious compared to those generated at lower densities,” the authors wrote in their study.
Specifically, for any given bacterial or fungal population, when a population is large, say 200-500 individuals
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The mitochondrial crista in the mouse inner ear: II. Morphology.
Morphological features of the crista ampullaris, crista brevis, and crista acustica of the mouse inner ear have been studied using conventional stains (Thiel’s, Masson-Goldner’s, PAS, Alcian blue), as well as scanning and transmission electron microscopy. The crista is a shallow, slender, three-dimensionally folded structure which encompasses the organ of Corti and extends into the lower basal turn, where it terminates at the vestibular sensory epithelium. The crista is composed of bundles of intermediate filament-rich cells joined end-to-end by connective tissue cells, and surrounding epithelial cells. Each of the morphologically distinct crista structures contains a variable number of hair cells, presumed first- and second-order afferent terminals, and spherical kinociliary endings. In addition to the crista, we observed an incompletely folded arborized dendritic epidermal cell process (dendritic epithelium) that appeared to be localized primarily in the floor of the cochlea. This structure is probably a vestigial dendrite of the spiral sulcus cells that has been retained in the mouse. Although the mouse crista is similar morphologically to the guinea pig and human inner ear crista, its lack of distinct morphological features is similar to that of the monkey.Q:
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