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Creating images is the most basic use of a photo editor, and the beginning is the easiest. However, the complexity of Photoshop continues to grow and is used by more and more professionals in many fields, including magazines, advertising, Web design, retouching, and making corrections to photographs.
* To create a photo from scratch, create a new file that’s a copy of the image on which you want to work.
* If you’re working on a photo that you’ve opened in Photoshop, you can work on the new file instead.
* Paste your photo into a new Photoshop document.
* Select the image or use the thumbnail in the File menu to make the selection. In the Select menu, select the Brush tool to paint on the image.
# Raster images
A raster image is an image created by the computer from a _bitmap_ (an image made up of black and white dots that form an image). Most digital cameras, scanners, and even cell phones use the BMP (Windows) or JPEG (Mac) format to store a raster image.
Raster images are created by altering the number of dots in the image, and the size of those dots.
You can also create raster images in Photoshop by scanning paper, taking a photograph of an object, or even by painting with a brush. The types of files (called _saved sopras_ ) are explained in the “Saving Projects” section, later in this chapter.
Raster images may appear two-dimensional. However, with advanced imaging software, such as Photoshop, you can manipulate the image into 3D form and make it appear real. See the upcoming “Photography” section for more about how to make a 3D image.
## Resizing and Cropping
Imagine that you have a duplicate of a photo of your portrait. If the original portrait is 4 inches by 6 inches, and you have a copy of that portrait that’s 6 inches by 4 inches, the copy doesn’t take up the space of the original. Instead, the copy is smaller, so that it fills up less of your screen. However, there’s still space around the edges of the image. That’s where the new crop option in Photoshop comes in.
If you have a photo of yourself that’s full-screen, the resulting picture doesn’t look like you because the new image has less of the photo. Here are two ways to create
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In this tutorial we will learn to create an awesome emote that will be very popular in a creative and funny way.
It’s time to start and create a cartoon-ish pirate emote.
You will learn the following aspects about creating a funny emote:
Creating a canvas
Creating a new vector image
Adding a text layer
A simple path stroke effect
Some text effects
Adding a fish-eye effect
Setting up the perfect environment
A hexagon head
Turning it into an.psd image
Adding an eye with masks
Getting to know the alpha channel
Masking with GIFs
Making the outline
Adding a little skull
Adding the tool for the corner of the eye
Creating an awesome face
Adding the outside details
Adding bright colors
Creating the main shape
Adding a few lines of hair
Adding antlers
Adding the lips and a tongue
Adding a pirate hat
Putting some reflection in the face
Adding a big eye
Adding a stingray
Adding some seaweed
Adding a pirate sword
Adding a metallic look
Adding some ghost outlines
Creating a shadow with a fish-eye
Turning it into a.psd
Adding a few more lines of hair
Adding two big eyes
Adding an eye with a smile
Adding a spine
Making a quick eye
Putting reflective stickers
Adding a mouth and tongue
Adding an eye with circles
Adding some high contrast colors
Adding a ruler
Adding a beard
Adding a button
Adding some creepy eyes
Adding a fishing trawl
Adding a button
Adding an iron cross
Adding some lines on the eyebrow and nose
Adding a fish-eye
Adding a part of a rubber smiley face
Removing the character’s face
Adding a mouth
Creating a new text layer
Adding a few holes
Adding lines to fill the whole head
Adding a dot on the head
Adding a gummy smile
Creating the hand
Creating a new text layer
Adding the eye
Painting the teeth
Creating a simple background
Creating a new watercolor background
Adding some grungy lines
Adding shadows
Creating the fingers
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This invention relates to a process and apparatus for treating and fixing a latent image in an image-bearing member, such as a photographic plate or a photographic film, and the image-bearing member on which a latent image is fixed.
The hitherto known process for treating and fixing a latent image, which comprises the steps of exposing the image-bearing member (hereinafter referred to as a photosensitive member) with a light image through an image-forming element, developing the latent image on the photosensitive member by contacting the photosensitive member with a processing liquid containing a coupler or a reducer, and thereby obtaining a visible image or a fixed image, is disadvantageous in that a surface layer having a large thickness, e.g., 0.3-0.4.mu.m, must be formed on a light-sensitive layer on the photosensitive member before the image-forming element is placed thereon. For example, when the photosensitive layer contains gelatin, it has a softening point of about 45.degree. C. Thus, when the photosensitive member is heated for hardening, preferably within 60.degree. C., the surface layer melts to cause the photosensitive member to stick to the image-forming element. In addition, the surface layer generally shows poor resistance to the processing liquid, resulting in adsorption of the processing liquid thereon.
The image-forming element, which serves as the light image source, is generally a silver halide photographic light-sensitive element, and the photosensitive member is generally composed of a silver halide photographic light-sensitive element. The image-forming element and the photosensitive member are rubbed against each other in the process of treating and fixing a latent image, and this rubbing gives rise to a phenomenon called “sticking”, in which the photosensitive member is caused to stick to the image-forming element./*
* 因为原因，我们不使用《左边，中间，》的方法。
* */
import {
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“You’re actually getting a more substantial portion of protein than you might suspect,” says Katie Wallace, a registered dietitian nutritionist with the USDA’s food and nutrition service, part of the U.S. Department of Agriculture. “You’re getting a couple of egg whites, which are more protein-rich than some of the other protein sources out there.”
Yes, an egg white has 10g of protein, compared to 7.3g in a whole egg. But in the context of a nutritionally-balanced diet, it’s not that big of a deal. The Egg Nutrition Center, a division of the American Egg Board, points out that the average egg provides more than enough protein for adults.
In fact, when the USDA recently updated its Dietary Guidelines for Americans, they recommended that we each eat about three egg whites a week. “We’re supposed to have five or six a week,” says Randy Kaufman, a registered dietitian nutritionist in Berkeley, California. The amount of protein we need depends on our size and activity level, so just like the RDA for any other nutrient, it’s up to each individual to find the amount of protein that best fits their needs. The U.S. Food and Drug Administration doesn’t require that foods contain this amount, so check the nutrition label for details.
Protein, though, is not the most important thing to look for when you’re buying eggs. “Eggs are really, really easy to get these days,” Kaufman says. “So, if you were really concerned about protein intake, you’d look at other options.”
Tip 5: Look for free-range eggs.
Free-range eggs are a bit harder to find, but they’re worth the effort. These hens are given the freedom to roam around and mate as they please, while indoor hen houses are limited to pre-determined hours to eat, sleep, and lay. But roosters can’t do their job properly, which affects the egg shells and can make them tougher. (Pretty much all hens, though, are fed a balanced diet, so they don’t get too skinny.)
Egg shells should be bright yellow with no spots or blemishes.
Normally, you won’t even taste this
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